Pina Bausch’s ‘Kontakthof’ at Sadler’s Wells A timeless reflection on gender relationsReview
Members of Tanztheater Wuppertal Pina Bausch performing the 1978 work "Kontakthof," set in a dance hall and infused with anxious hope and longing, at the Brooklyn Academy of Music's Howard.
Kontakthof Pina Bausch Tanztheater Wuppertal Photo Credit… Flickr Pina Bausch, Contemporary
Overview of pieces and repertoire currently being performed by the Tanztheater Wuppertal Pina Bausch Terrain Boris Charmatz. Kontakthof. Kontakthof Kontakthof Kontakthof Kontakthof Kontak. Choreography / Direction. Pina Bausch. Set Design / Costumes. Rolf Borzik. Collaboration. Rolf Borzik Marion Cito Hans Pop. Music. Bertal-Maubon-Daniderff.
Tanztheater Wuppertal Pina Bausch Kontakthof New York DanceTabs
Pina Bausch (1940-2009) and her Tanztheater have a huge following: this short run of her 1978 Kontakthof sold out quickly, so I am surprised to see some empty seats (this is not press night) and even more after the interval.Granted the first ninety-minute half is relatively long, but this is Pina—at three hours in total, it is not the longest piece in her canon.
Pina in the ring • Sucre
We saw Kontakthof, Bluebeard and 1980: three massive pieces. I've now been with the company for 26 years.. Pina Bausch at Sadler's Wells. Photograph: Tristram Kenton. The grass on the stage is.
Pina Bausch/Tanztheater Wuppertal’s “Kontakthof” Photo by William Yang Pina bausch
Tanztheater Wuppertal Pina Bausch in Kontakthof, which still ranks as one of Bausch's finest full-length works. REINER PFISTERER. Friday February 04 2022, 12.00pm, The Times.
London UK 2nd February 2022 Tanztheater Wuppertal Pina Bausch KONTAKTHOF at Sadlers Wells
Judith Mackrell. K ontakthof, created back in 1978, is one of Pina Bausch's most minimalist productions. It is set in a drab municipal hall, and its choreography is limited to a palette of.
Pina Bausch Kontakthof ( > 65) TEATAR.HR
A piece by Pina Bausch. View credits. Poster for "Kontakthof" by Pina Bausch. Information. Premiere: 12/09/1978 season 1978/79 Opernhaus Wuppertal. Duration: Direction and choreography: Pina Bausch: Collaboration: Rolf Borzik: Marion Cito: Hans Pop: Set and costume design:
Kontakthof Pina Bausch Sadler's Wells Review
The battle of the sexes is fraught at the best of times - and no one had a keener sense of its absurdities and tragedies than Pina Bausch.Her work, from the seminal Café Müller to the mesmeric.
An der Opéra Garnier ein neues Leben für „Kontakthof“ von Pina Bausch Kinotrailer24
Filled with a brooding sense of the past, often specifically Germany's past, Bausch's works are less like ballets, more like choreographed group-psychotherapy. Dressed formally, as if for an evening out in the 1930s, her performers parade their secret frustrations and desires, blurt out verbal confessions or enact dreamlike scenarios, often involving sexual violence.
Tanztheater Wuppertal Pina Bausch Kontakthof Sadler's Wells Theatre
Jo Ann Endicott joined Pina Bausch in 1973 when the latter founded her Tanztheater Wuppertal company. Today Jo Ann is the artistic rehearsal director working with the company's dancers to bring Kontakthof into the Opera Ballet's repertoire.. She relates the work's creative process, in which she participated in 1978, and the multitude of contrasting feelings that form its subject.
Kalender Ludwigsburger Schlossfestspiele
Philippine "Pina" Bausch (27 July 1940 - 30 June 2009) was a German dancer and choreographer who was a significant contributor to a neo-expressionist dance tradition now known as Tanztheater. Bausch's. "Kontakthof" is composed of Kontakt ("contact") and Hof ("court, courtyard"), resulting in "courtyard of contact," which is also a.
Step One There Are No Rules Hazlitt
Pina Bausch's Kontakthof: Choreographies of Gender and Costume Finola Cronin Abstract Costume designs in Kontakthof contribute not only to the visual aesthetic of the work but also support Bausch's aim to examine heterosexual encounters. The designs periodise the work suggesting an era when fashion was
Kontakthof Pina Bausch YouTube
I t was 40 years ago that choreographer Pina Bausch first brought Kontakthof to London (it was made in 1978) and yet its subject matter hasn't aged a bit. Its themes centre on the endless.
KONTAKTHOF BY PINA BAUSCH, BARBICAN PHOTOGRAPHY BY VANJA KARAS VANJA KARAS
Created in 1978, this ballet is Pina Bausch's third piece to enter the repertoire of the Paris Opera Ballet and is centered around one thing, and one thing only: contact. Through swift and beautiful movements, the dances throughout this ballet present the history of contact and the links that an encounter can create. Kontakthof is about men and women who walk, run, dance, touch each other.
Tanzträume Jugendliche tanzen Kontakthof von Pina Bausch Pina bausch, Dokumentarfilme, Tanzen
Pina Bausch in "Kontakthof with Ladies and Gentlemen over '65'" (Book and DVD), L'Arche Editeur, Paris, 2007. Translation: Jo Ann Endicott. Kontakthof is a place where people meet who are searching for contact. To show yourself, to deny yourself. With fears. Desire. Disappointments. Despiration.
Gustavo Thomas Theatre Pina Bausch "Kontakthof" at The Barbican.
But Kontakthof holds out a promise that life and her captivatingly absurd and truthful work continues without her. Tanztheater Wuppertal Pina Bausch perform Kontakthof at the Barbican Theatre until Sunday. Tanztheater Wuppertal Pina Bausch performs the Brazil-inspired Agua in the Edinburgh Festival (27-29 August, Playhouse) The company's web site.